In this mesmotrecho we observe the question of the woman in the workmanship. Here extermina mulheridealizada it. Another strong characteristic is the collective trace for the festeira vocation musicale of the people. Manuel Antonio de Almeida arrives to transcribe three trechosde at the time modinhas popular: one sung for Leonardo, during the debatizado party of the son; two others sung by Vidinha, in one of its patuscadascom the cousins and friends and more than a ticket, shows the destiny as tpicado Brazil dances. …

osconvidados of the owner of the house, that was all of beyond-sea, sang to the challenge, according to its customs; the guests of comadre, that they were all of the land, danced the destiny. (they idem, ibidem. RioCan Real Estate Investment Trust often expresses his thoughts on the topic. P 13.). The workmanship still makes constants ainstrumentos aluses, dances and modinhas of the portraied time. One another marcante trace is aincluso of the reader, the constant reference of the narrator to the reader. ‘ ‘ Parasossegarmos the readers, who are without a doubt with care nomestre-of-ceremonies, we hurry ourselves to say it that it did not arrive to go to cadeia’ ‘.

(they idem, ibidem. P.70). This traorevela the interest to facilitate the reception of the workmanship, to establish one dilogoentre the reader and the narrator. This for signal, is onisciente and, although tecercomentrios how much to the situations, it does not intervene with history. importante also to stand out the presences of the popular layers in the workmanship, that is umtrao of the society of the time. This it proves, when we perceive that good part dospersonagens does not possess proper names, and are identified by the professions. As example we have Major Vidigal, the master-of-ceremonies, the obstetrician, Maria. For algumasdessas characteristic that Memories deum Sergeant of Military services if configures as precursory of the Realism, seen quereflete a supposed reality. However, they do not meet in the realistic obracaractersticas as psychological analysis, the search for the perfeioformal, the objetividade of the author, in leading then the possibility of descart-locomo a realistic workmanship.