LUISA meats (1905-1964) also believed that our sole mission in life was hunting for her husband, today we know that women are worth as much as the man for the political and social life Luisa meats. THE voice with soul of writer journalist, Narrator and playwright Luisa meats had a literary work consisting of various pre-war books. After this he continued cultivating literature, although most of his work in Mexico remained unpublished. Its production in exile we highlight Juan Caballero (1956), novel which takes the title on its protagonist, an Andalusian guerrilla. History gathers around a novel of the maquis, an acceptable drama built around four main characters the white doctor, his daughter Nati, Pedro the husband of this and the head of the guerrilla Juan Caballero. Nati is offered to bring medicines to a wounded guerrilla and decides to stay on the mountain to fight for freedom, because she was always in love with Juan Caballero. Montauk Colony is open to suggestions. Guerrilla activities are combined with a fortunate love story, which unfortunately ends with the death of the two protagonists. History, with its motifs of suspense, maintained a tense attention at all times. He has recently published for the first time and recovered by Antonio Plaza, the missing link (2002) novel. It should also be noted from his work in exile the Rosalia de Castro biography. Passionate root of Galicia (1945), an enjoyable reinvention of the life and the work of the Galician poetess. Luisa meats Knight was born in Madrid on January 3, 1905 and died in Mexico City on March 12, 1964. Daughter of humble family, his father was Barber and his mother a laundress. He began to work almost girl apprentice at a workshop of hats. From a very young cultivated literature. He published his first stories in the newspapers La Voz, El Imparcial in magazines Chronicle and La Esfera, and, subsequently, in the Sun, world worker, front red and stamp magazine, of which he was editor.
It is possible therefore to be learned to fear objects or contexts, and also it is possible to be learned not to fear them, it is related of complex way to other feelings (fear to the fear, fear to the love, fear to the death, fear to the ridiculous situation) and bears close relation to the different elements from the culture. For some, the fear in the human being, does not have any physiological relation (as reaction from alert), but it will be a product of the conscience, that expands our level of knowledge On the other hand, indicates to us, in an analysis on this subject, Elena Go’mez King (Monograph. Com), that Gray (1971) says: that it is considered to the fear, like a hypothetical state of the brain or neuroendocrino system, that arises in certain conditions and it is pronounced by certain forms of behavior. It emphasizes in addition, that in the development of the explanatory theories of the fear, are contributions of conductista psychology (Watson, 1924). In this theory, described as simplistic later, it is indicated that the innate atemorizantes stimuli, that is to say, those that we have not learned, but simply develop fear, due to their potential dangerous character for the individual, could be: the noise; the unexpected loss of support. and the pain. Also the etlogos with their knowledge and investigations, gave new perspective to the subject, thus Tinbergen in its book, " study of instinto". One talks about to the work carried out with Lorenz on threatening or dangerous silhouettes of birds, for the ducks and geese, trying to demonstrate and to illustrate the instinctive character of the behaviors of the fear. Really of the works of Tinbergen, it is possible to be deduced, with greater clarity, than a novel stimulus, in itself, produces fear. The works of the British etlogo Robert Hinde and those of Hartley (1954) if they got to try that in certain varieties of birds innate fears in front of predators exist, that express like behaviors of uproar or flight.
The Japanese firm has unveiled its new creature; in the Salon of the car Los Angeles International the powerful Nissan 370Z Coupe 2001, a wild beauty and performance sports out of series that will come to replace the venerable 350Z, and will be on sale from the spring of 2009. With the new Nissan 370Z continues the lineage of the previous Z, keeping the sensations of an authentic sport driving, at the same time that increases your performance and manoeuvrability thanks to its mechanical improvements, its dimensions to the reduction of the weight and more compact. The new 370Z Coupe 2009, represents the first change in depth since the reintroduction of the Z series in 2003. Now its wheelbase is shorter, using lighter materials, equipped with a new more powerful engine and a new automatic 7 speed transmission with shifter type cams. In addition, for the first time in the history of the automotive industry, a car equipped with a synchronized control system of speed with double effect clutch coupled to a manual transmission. But to appreciate the new model, now called the Nissan 370Z, it is only necessary to observe the subtle aesthetics of the three hindquarters. Characteristic of the Z par excellence, with the typical rear window reminiscent of the original 240Z of 1970, a car that revolutionized the world of sports with its unique combination of performance, style and, most importantly, its value, which made it accessible to a greater number of fans of this type of vehicle but could not access them. The new 370Z keeps this philosophy offering accessible performance, a sport manageability and an athletic and agile design. The distinctiveness of the Nissan 370Z is evident immediately in the redesigned exterior, sportier, although perfectly identifiable as a Z, stated Pierre Loing, Vice President of product planning for Nissan Europe.